Dadadieterdúr: Lectures on Book Art and Concrete Poetry
A mini lecture series on book art and concrete poetry will be presented in November 2015, in relation with the exhibition „dadadieterdúr – samruni orðlistar og myndlistar“ . The lectures are organized by the National Library in collaboration with the Centre for Avant-Garde Studies and will be held in the lecture hall of the National Library. The lectures will be presented in Icelandic.
On Tuesday 17 November, at 12:00 Benedikt Hjartarson will present a lecture on the historical avant-garde and early visual poetry, under the title „„Hver síða verður að springa“: Um framúrstefnu, ljóðsmíðar og prenttilraunir“. Vigdís Rún Jónsdóttir presents a lecture on the emergence of concrete poetry in Iceland in the period 1955-1975. On Tuesday 24 November, at 12:00, two lectures will be presented. Úlfhildur Dagsdóttir will talk about the concrete poetry of Óskar Árni Óskarsson and Sjón and Ólafur Engilbertsson will present a lecture on Dadaism and the publication activities of Medúsa and Smekkleysa (Bad Taste).
Upcoming Conferences / Calls for Papers:
CFP: The Avant-Gardes in the Nordic Countries 1975-2000: History, Culture and Aesthetics, 3-5 December 2015
Some years ago the growing scholarly interest in avant-garde studies led to the formation of The Nordic-Network of Avant-Garde Studies as a forum for attempts to map the cultural influence of the aesthetic avant-gardes in the Nordic countries. Part of this project is the writing of a four volume Cultural History of the Avant-Gardes in the Nordic Countries. The first volume dealing with the years 1900-1925 was published by Rodopi (now a division of Brill) in 2013, and the second and third volume will be published in 2015 and 2016. The editors of this history now call for papers to a conference dealing with the history, culture, aesthetics, and politics of the avantgardes in the Nordic countries in the period 1975-2000. The first three volumes have focused mainly Denmark, Finland, Iceland, Norway and Sweden. In volume four we particularly want to include Greenland, the Faroe Islands and the Sami areas. Our hope is that most papers can be rewritten and published as contributions to the fourth volume of the series, A Cultural History of the Avant-Gardes in the Nordic Countries 1975-2000. For the publication there will be editorial panels of scholars from the different Nordic countries who will act as peer reviewers.
The conference will take place at Copenhagen University from 3-5 December 2015. All participants should submit a title and a 2-300 word abstract before August 10, 2015. Abstracts should be sent to firstname.lastname@example.org. Questions regarding the conference may be sent to this address as well or to a member of the organizing committee.
The full text of the call for papers can be found here
The conference is organised by
Benedikt Hjartarson, University of Iceland, email@example.com; Camilla Skovbjerg Paldam, Aarhus University, firstname.lastname@example.org; Laura Luise Schultz, University of Copenhagen, email@example.com; Tania Ørum, University of Copenhagen, firstname.lastname@example.org; and the conference secretary Marianne Ølholm, email@example.com
Avant-garde Migrations (International Symposium, Lisbon 19-20 Nov 15)
Calouste Gulbenkian Foundation, Lisbon, 19-20 November, 2015
Joana Cunha Leal, Universidade Nova de Lisboa
Organised by: Art History Institute, Universidade Nova de Lisboa and Calouste Gulbenkian Foundation, Lisbon, with the support of RIHA (International Association of Research Institutes in the History of Art)
Keynote speakers: Nina Gourianova – Northwestern University, Chicago; Enric Bou – Università Ca Foscari Venezia; Béatrice Joyeux-Prunel – École normale supérieure, Paris
The Symposium proposes an interdisciplinary and cross-cultural analysis on avant-garde forced and deliberate migrations in the twentieth century, in particular during the so-called “interwar” period (1918-1939). It seeks to debate the significance of artistic migrations for both avant-garde formations and individual artists (painters, illustrators, poets, writers, architects, designers, photographers, film makers, etc) by considering not only major “émigré” movements from “peripheries” to well established artistic centres, as Paris, Berlin or Moscow, but also lesser known nomadic tendencies and circuits within regions and continents, those caused by the two world conflicts, and those triggered by less accounted for political, social, cultural, or personal circumstances.
This is not just another forum on art in emigration, the topic well researched in the past two decades. Instead, while discussing the diversity of the twentieth century “migration phenomenon”, and the prevailing international character of the avant-garde movement, the Avant-garde Migrations Symposium aims at observing the significance of cultural and artistic circuits, transfers, collaborations, dialogues and confrontations within groups and formations that cannot be entirely considered under the umbrella of straightforward centre/periphery dichotomies. We would like to question the validity of the well-established methodological frameworks strictly operating within the concepts of “artistic influences” or “assimilation of pre-fixed styles”, which often feel outdated and dogmatic when applied to the arts being produced. This Symposium will address the effects of avant-garde artists’ motion between places, its contingent and historical factors, the national and trans-national grounds of artistic production, as well as cultural and artistic intersections, meetings, discoveries, paradoxes and exchanges streaming from translations, travel, escape, dislocation and exile.
The full programme of the symposium can be found here.
Recent Activities of the Network:
Benedikt Hjartarson: ““We are the new people of a new life”. Manifestoes, Counter-Culture and the Historical Avant-Garde”
Lecture by Benedikt Hjartarson, associate professor of Comparative Literature and Cultural Studies at the University of Iceland, organized by the Centre for Avant-Garde Studies at the University of Iceland, in collaboration with the Reykjavik Art Museum.
In European cultural history the period between 1909 and 1938 is often referred to as the period of the historical avant-garde, with the emergence of movements such as Italian futurism, Russian cubo-futurism, surrealism, cubism and constructivism. The lecture will discuss new research on the historical avant-garde movements, which aim at explaining the characteristics of its project and presenting hitherto unknown movements and materials. Firstly, the lecture will discuss new research on the genre of the manifesto, which has opened up new ways to explore the specific character of the avant-garde and the international circulation of its aesthetics. Secondly, it will discuss recent scholarly work on the topography of the international avant-garde, which often includes a critical revision of traditional notions of the relation between centres and peripheries. Thirdly, these new topographical theories of the avant-garde will be put under critical scrutiny and the question will be posed, to what extent these new approaches stick to the given research framework of a scholarly tradition that limits rather than increases our understanding of the historical avant-garde. The lecture will plead for a broad cultural and epistemological perspective on the avant-garde and the notions of social revolution, cultural revitalization and spiritual regeneration lying at the core of its project.
Benedikt Hjartarson is an associate professor of Comparative Literature and Cultural Studies at the University of Iceland. He has been a member of the steering committee and publication commission of EAM since its foundation in 2007 and he was a member of the steering committee of the Nordic Network of Avant-garde studies from 2003 to 2009.
The lecture starts at 8 p.m. and will be presented in Icelandic. Admission is free.
Ara Osterweil: Lecture on the Corporeal Turn in American Avant-Garde Film.
The Centre for Avant-Garde Studies, in collaboration with Reykjavik Art Museum, presents a lecture by the film scholar Ara Osterweil. The lecture will be presented on Thursday July 17 at 20:00 and will take place at Hafnarhús.
Ara Osterweil’s talk at the museum will give a brief overview of the corporeal turn in American avant-garde cinema of the 1960s, and will focus on several key films of the period. Film scholar Ara Osterweil’s new book Flesh Cinema: The Corporeal Turn in American Avant-Garde Film (Manchester University Press, 2014) explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Jack Smith, Barbara Rubin, Stan Brakhage, Carolee Schneemann, and Yoko Ono, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning.
Ara Osterweil is a writer, film scholar, and painter who lives in Montreal and New York. She teaches film and cultural studies in the English department at McGill University, where she is an Assistant Professor. Apart from the book Flesh Cinema she has published numerous essays, in journals such as Camera Obscura, Film Quarterly, Frameworks, The Brooklyn Rail, and Millennium Film Journal, as well as in anthologies such as Porn Studies, Warhol in Ten Takes, and Women’s Experimental Cinema. She has received an ArtsWriters Grant from Creative Capital/ The Warhol Foundation, as well as a SSHRC Insight Grant. She is currently working on a scholarly book entitled The Pedophilic Imagination: Children, Sex, Movies as well as a novel entitled Last Rites.
A recording of the lecture can be found here.